More Beer Sheva Brutalism: Yad LaBanim

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Here is Beit Yad Labanim, another of Beer Sheva's many examples of Brutalist architecture.

(We saw in the post about BGU's library  that the term Brutalism was coined in 1953 from the French béton brut, "raw concrete," a phrase used by Le Corbusier to describe the poured board-marked concrete with which he constructed many of his post-World War II buildings.)

Originally designed to be Beer Sheva's main synagogue, the money ran out before its completion,  and the strange building stood deserted for years.
In the late 1970s a group of bereaved parents came together to try to have the building's designation changed.
By 1983 they succeeded in completing it as a memorial hall to their soldier sons and daughters who had fallen in Israel's wars.  

See more about the concept of Yad Labanim houses throughout Israel here.
Or see my photos of Jerusalem's Yad Labanim, which also has unusual architecture. 

I have not ventured in yet, but I read that inside are art exhibitions, cultural activities from time to time, and a 300-seat theater. 

Enlarge this photo 2x and see some interesting details!

Pigeons on the roof are kept out by metal grating stretched over the openings.
And that bare patch--is it just the plaster falling off the wall  or  could it be a deliberate "window" into the brutalist reinforced concrete? 
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Haaretz has an entertaining article about Beer Sheva's love-hate affair with Brutalism.
(It is behind a paywall but the newspaper offers ten free articles per month after a simple registration.)

It says this, for instance:

Brutalism and its varied concrete features were seen as an allegory for the young, Israeli-born Jew − rough, direct, aggressive, just like cement itself. 

The architects of Brutalism were themselves native-born, young contemporaries of the state. Their character and vision overlapped with the allegory to a remarkable extent. 

The great irony is that their buildings were constructed mostly for newly arrived immigrants whom the state was sending to the country’s far geographical periphery to live in its Israeli-conceived concrete works. The architects themselves, of course, didn’t follow.

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(Linking to Whimsical Windows, Delirious Doors.)
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